We look back at excerpts from our conversations that highlight Martin’s studio practice, process, and the continuing inspiration for her most recent body of work.

“The idea of being present and really looking at a vista - a tree, a rock even, and seeing it change throughout a day was amazing,” she said about her plein air work around Chama last July.

“J. Willott Gallery hosted an extremely successful and well-attended America Martin exhibition Nov. 24. A Colombian-American fine artist based in Los Angeles, Martin has expanded her well known painting and sculpture works to include new surprises in 3-dimensional art. As basis for her enigmatic works, America sites universal truth as inspiration for creating derivations in indigenous subject matter via the human form.

The exhibition showcases the fearless, bold use of line and color through the compositions of the artist with a profound sense of form and space. The work of America Martin with these figurative paintings transcends cultural aesthetics as it emerges through the internalized gender aesthetics.

Bursting with life, vigorous in line, form and color, America Martin’s work showcases her unique and humanist approach to portraying the natural world as well as the human form. Constantly re-defining her artistic practice and the possibilities of expression, Martin’s work is both visionary and diverse in its approach. Martin works in a diversity of mediums including painting, mixed media on cotton rag paper, and sculpture. Beyond her affinity for modernism and iconic forms, Martin’s work is informed by her intensive approach to material and process. Rooted in art historical lexicon, Martin’s work is narrative of the various cultural, anthropological as well as sociocultural frameworks inherent in her subject matter.

203 Fine Art presents its fourth solo exhibition of America Martin's work which evokes classical and indigenous forms reminiscent of the Impressionists and Modernists of the early 20th century.

Her hometown of Los Angeles, and the vibrant diversity of its population, moves her. When about town, she takes mental snapshots of the people she sees all around her, and then transfers the sights stored in her head onto paper and canvas.